Thousand Foot Krutch member in hospital

Thou­sand Foot Krutch front­man Trevor McNevan under­went an emer­gency appen­dec­to­my this past week­end in Seat­tle, Wash., as the band was prepar­ing for an appear­ance at the Cre­ation North­west fes­ti­val. McNevan is also a mem­ber of FM Sta­t­ic.

There’s no word on when he will be back with the bands.

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Deuce steps out with smooth worship CD

Claude Deuce, the man behind Deitrick Had­don, Big Al and Tonex, is step­ping out from behind the board with his debut CD, “Claude Deuce, The Young Elder.” BET will pre­view the video “It Ain’t Over” tonight on its Video Gospel show. Deuce dis­plays a vel­vet voice that blends well with his smooth jazz style of praise and wor­ship music. If you missed the debut, here’s a link on YouTube.

Deuce describes his music as “urban hym­nal … Real­i­ty & Beats, my R&B.” On the track “4 Who U R” you can hear one of Deuce’s influ­ences — Ste­vie Won­der, old school. “Don’t 4get” is Deuce’s favorite on the CD because of the vari­ety of arrange­ments and “hot” vocals. Deuce is an accom­plished musi­cian — drums, sax, base gui­tar and keys — and with influ­ences as Won­der and Kanye West, he is sure to be an influ­ence in his own right.

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New Release: Glory Revealed II a gem

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Glo­ry Revealed II is bound for numer­ous Dove Awards, Spe­cial to The Den­ver Post

Throw twen­ty-plus artists in a seclud­ed rus­tic Geor­gia moun­tain lodge and what you get is a CD that is a slice of Amer­i­cana — music that exudes its blue­grass roots with an under­ly­ing dash of rock and it’s all based on Scrip­ture.

Glo­ry Revealed II: The Word of God in Wor­ship” is the lat­est project of Third Day’s Mac Pow­ell on Prov­i­dent Label Group. With Pow­ell’s name stamped on it, along with such artists as Natal­ie Grant, Mark Hall, Matt Maher, Jason Crabb, Amy Grant and Bran­don Heath, this CD is sure to gar­ner plen­ty of Dove Award nom­i­na­tions.

By break­ing away from their respec­tive styles of music the artists reveal their range and com­fort with the old-style blue­grass and coun­try gen­res com­plete with ban­jo, man­dolin and a fid­dle.

Sara Evans, who per­formed at Tues­day’s Major League Base­bal­l’s All-Star Game, teams with Bethany Olds for “There is a City,” a tra­di­tion­al blue­grass tune. It is my favorite on the CD, bring­ing back mem­o­ries of sip­ping sweet tea on the front porch of my par­en­t’s Vir­ginia home on a hot sum­mer mug­gy night. It’s a song that will not get the radio air­time that the first track “How Great” with Pow­ell, Shane Everett, Jonathan Shel­ton and Bri­an Lit­trell will sure­ly gar­ner, or Mark Hal­l’s and Trevor Mor­gan’s team­ing up on “Rejoice in the Lord,” but “There is a City” is worth find­ing.

The CD is filled with gems like “There is a City,” lead­ing the lis­ten­er on a spir­i­tu­al jour­ney through the Deep South.

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Former baseball player hits home run in music industry

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Jon­ny Diaz holds the No. 1 hit on Chris­t­ian music radio with “More Beau­ti­ful You.”

Can you imag­ine being on the path to a pro­fes­sion­al base­ball career, a path that is lined with mil­lion-dol­lar con­tracts and beau­ti­ful women? The rich­es of this world at your beck and call? And then just giv­ing it all up for God?

That’s what Jon­ny Diaz is all about in a nut­shell. He is from a fam­i­ly of base­ball play­ers — his old­er broth­er Matt plays for the Atlanta Braves — so the ath­let­ic gene runs in his fam­i­ly. But as Diaz says, God had a dif­fer­ent plan for him besides run­ning down fly balls in right field. A plan that has Diaz’s sin­gle, “More Beau­ti­ful You” at No. 1 on the AC Indi­ca­tor Charts (Radio & Records Music Tracking/Billboard).

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Jon­ny and his broth­er Matt, who plays for the Atlanta Braves.

With a base­ball schol­ar­ship to Flori­da State Uni­ver­si­ty in hand, Diaz (pro­nounced DIE-ez) began feel­ing God’s pull dur­ing his fresh­man year in 2002.

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Free three-day music event

Look­ing for some­thing to do this week­end that won’t set your pock­et­book back? “Ral­ly in the Rock­ies” runs June 19–21 in Rifle at the Garfield Coun­ty Fair­grounds. The God Ral­ly Project event fea­tures live music — includ­ing Big Dad­dy Weave, Build­ing 429, Tam­my Trent and oth­ers. For more infor­ma­tion, vis­it www.godrally.com

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Jars of Clay — spot on

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Dan Hasel­tine of Jars of Clay lights up the stage at the Goth­ic The­atre. Pho­tos by Eliza Marie Somers (To view a slide show of the con­cert click here.)

The Goth­ic The­atre is the per­fect set­ting for a song­writ­ers’ band like Jars of Clay. The art-deco venue is inti­mate with a sound sys­tem that cap­tures the small­est details to per­fec­tion.

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Jars’ “Two Hands” tour blew into Den­ver on June 4, and after the con­cert lead singer Dan Hasel­tine said it is prob­a­bly his favorite venue in the metro area. It had to be one of the best shows that I have seen at the Goth­ic since Joe Jack­son a few years back.

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A Stryper gets Hooked

Oz Fox of Stryper mar­ried Hook­ers for Jesus founder Annie Lobert this past week­end in Las Vegas. Lobert worked as a Vegas hook­er for 11 years before over­dos­ing on cocaine and turn­ing her life over to Jesus. Here’s a link to the sto­ry on CNN.com

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Jars of Clay gets back to nuts and bolts

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Jars of Clay, a three-time Gram­my Award win­ner, will play the Goth­ic The­atre tonight. Pho­to spe­cial to The Den­ver Post.

Over­com­ing the inter­nal con­flicts that are in all of us is the over­whelm­ing theme from Jars of Clay’s new sin­gle, “Two Hands.”

The band will bring its “Two Hands” tour to Col­orado this week, play­ing in Grand Junc­tion on Wednes­day and the Den­ver area’s Goth­ic The­atre on Thurs­day.

The “Two Hands” cho­rus resounds, “I use one hand to pull you clos­er, the oth­er to push you away,” and res­onates in all of us, espe­cial­ly our dai­ly rela­tion­ships.

Two Hands is about that inter wran­gling that we all do,” said gui­tarist Stephen Mason said. “We strug­gle to believe that we can do good. We ques­tion if we have what it takes — to fol­low through. And the truth is we don’t. If that makes sense? But if we rely on our faith, we are able to rec­on­cile.

And we have to try. Don’t wor­ry about the con­se­quences or doubt. We all have that. We are human and will always have that but we need to push through that. One human can make a huge dif­fer­ence in anoth­er and in a com­mu­ni­ty.”

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Newsboys go retro with new release

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Spe­cial to The Den­ver Post
Today, Tues­day, May 5th, marks the news­boys’ final release with Peter Furler as the band’s lead singer, and the guys stepped back in time with this CD, “In the Hands of God.” The CD fea­tures clas­sic rock ’n’ roll news­boys — big gui­tar riffs, dri­ving drums and some quirky, pop lyrics thrown in for fun — all with a mes­sage.

Furler will remain as the cre­ative force behind the band with Michael Tait of dc talk fame tak­ing over the micro­phone. Accord­ing to band­mate Dun­can Phillips, Furler is more com­fort­able in the stu­dio than on stage, where­as Tait loves to play to the audi­ence. But more on that at a lat­er date.

If you are a long­time news­boys’ fan, this CD is a must. The first track, “The Way We Roll,” def­i­nite­ly gets things rockin’ and rollin’. It’s a trib­ute to the Aussie band’s first years on the road after sell­ing all their pos­ses­sions to tour the States. “Rewind the clock, we were rid­ing a wave of Oz rock,” gets the song rolling.

This is Your Life,” is a more melod­ic tune about being good to your­self as Furler explained — a song about encour­age­ment and for­giv­ing your­self. The CD’s rock wor­ship songs are “Glo­ri­ous,” which was tak­en from the Psalms — “Though I stum­ble, though I fall, You remain glo­ri­ous, towards your light I come run­ning.” — and the title track, “In the Hands of God,” reveal reflec­tive and thought­ful lyrics and mem­o­rable cho­rus­es that are easy to belt out with the band.

The quirky, pop “My Friend Jesus,” is a tale of being put on hold by a big com­pa­ny, but try­ing to remem­ber, “What would Jesus do?” I love the lyrics — “I’ve been wait­ing for an hour, Now my phone’s los­ing pow­er, And I’m going to explode.” Fun­ny thing was two days after lis­ten­ing to the CD, I was deal­ing with the phone com­pa­ny and talked to at least 10 peo­ple to get a res­o­lu­tion and was ready to explode. But I recalled this song, and tried to “be the change you wan­na see,” and lo and behold I final­ly got some­one to fix my prob­lem.

The CD fin­ish­es with “RSL 1984,” as Furler tells about his days grow­ing up a pas­tor’s son in Aus­tralia with strings, keys and gui­tars a nice accom­pa­ni­ment to the rock base.

By the way, take a look at this ear­li­er sto­ry on the band.

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Backstage at the Dove Awards

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Steven Cur­tis Chap­man and his sons back­stage at the Dove Awards. Pho­tos by Eliza Marie Somers
I attend­ed my first Dove Awards last week in Nashville and did­n’t know what to expect. There was no red car­pet to show off the artists. I was told by a PR type a “red car­pet just goes against the grain of what the Dove Awards (Chris­t­ian music) is about.” And now that I think about it, that is so true. The musi­cians are “pas­tors” preach­ing the word of God, so it does seem self-serv­ing to have a red car­pet.

What struck me at the Dove Awards back­stage was the fam­i­ly atmos­phere.

It was an emo­tion­al event espe­cial­ly with all the heartache sur­round­ing Steven Cur­tis Chap­man, who won song­writer of the year and artist of the year, and his fam­i­ly. Last May, Chap­man’s 5‑year-old daugh­ter, Marie Sue, died after she was acci­den­tal­ly hit by a car dri­ven by her old­er broth­er in the fam­i­ly’s dri­ve­way.).

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Steven ded­i­cat­ed his per­for­mance of “Cin­derel­la” to Marie Sue, and was over­come by emo­tion. (The Gospel Music Chan­nel is replay­ing the Dove Awards this month Back­stage he said he felt like he was among fam­i­ly and friends and felt like he was home and that’s why he broke down.
He also said the tragedy has brought his fam­i­ly clos­er.

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Bran­don Heath jug­gles his awards.
Bran­don Heath took home three awards: song of the year, male vocal­ist of the year and pop/contemporary song for “Give Me Your Eyes.” Being that he’s been singing only a few years, expect more from this artist. He clas­si­fies him­self as a song­writer first.

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Free CDs!

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Tenth Avenue North, play­ing at the Den­ver Col­i­se­um in April, won new artist of the year at the Dove Awards in Nashville. Pho­to by Eliza Marie Somers

Win one of sev­er­al CDs that I picked up at GMA Week in Nashville, includ­ing Dove Award win­ners’ music CDs.
Here are some clips that I post­ed of the new faces musi­cian show­case I attend­ed at EMI in Nashville, Tenn., and if you want a free CD e‑mail me at lsomers@denverpost.com. Let me know in what order you liked Britt Nicole, Sarah Reeves, Josh Wil­son, Above the Gold­en State and Phil Danyew. OH, I got a com­put­er virus from Above the Gold­en State’s main web page, so if you want to lis­ten to them go to their myspace page. I’m going to alert their PR per­son so they can clean that up.

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New faces artist showcase at EMI

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Sarah Reeves at EMI stu­dios dur­ing a new faces artist show­case. Pho­tos by Eliza Marie Somers

One of the fun things at GMA Week in Nashville is being exposed to young new faces in the music indus­try. So here are some clips from the show­case at EMI of Britt Nicole, Josh Wil­son, Mike of Above the Gold­en State, Sarah Reeves and Danyew. Enjoy. Tell me what you think.

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Britt Nicole

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Danyew

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Josh Wil­son

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Mike of Above The Gold­en State

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Phil Keaggy, Ashley Cleveland at GMA

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Phil Keag­gy at the Nashville Con­ven­tion Cen­ter. Pho­to by Eliza Marie Somers
Just want to share some video clips of artists per­form­ing at show­cas­es in Nashville, Tenn. Phil Keag­gy is an incred­i­ble gui­tarist whose CDs I pop in when trav­el­ing in the moun­tains. This was my intro­duc­tion to Ash­ley Cleve­land, a three-time Gram­my Award win­ner. Enjoy

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Swag, Schwag? Either way it’s all free

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Sev­enth Day Slum­ber per­forms at an artist show­case in Nashville. Pho­to by Eliza Marie Somers

I’m here in Nashville at GMA Week and the Dove Awards gath­er­ing up stuff (CDs, T‑shirts etc.) for you. Watch this space for how to win this FREE stuff along with inter­views and pro­files of Big Dad­dy Weave, Bebo Nor­man and Sev­enth Day Slum­ber along with new­com­ers Jon­ny Diaz, Ben Utecht (yup tight end for the Cincin­nati Ben­gals) and Col­oradans Son­flow­erz and Stephanie Pauline. Peace

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Fluke begins MercyMe’s journey

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Mer­cyMe found main­stream suc­cess with its song, “I Can Only Imag­ine.” The band brought and its Rock & Wor­ship Road­show — to the Den­ver Col­i­se­um on Thurs­day April 9.

Can you imag­ine after liv­ing in an aban­don day-care cen­ter eking out a liv­ing, you are now at the top of your pro­fes­sion?

That’s exact­ly what hap­pened to Mer­cyMe after the main­stream suc­cess of “I Can Only Imag­ine,” a song writ­ten 10 years ago. To cel­e­brate the anniver­sary and to help out a cause, the band launched the Rock & Wor­ship Road­show, which played at the Den­ver Col­i­se­um on Thurs­day, April 9 (tick­ets $10), and released a new CD “10,” a great­est hits with extras.

But it was by a fluke that the band’s found­ing mem­bers first came togeth­er on stage. Lead singer Bart Mil­lard was work­ing the video and sound sys­tems while Jim Bryson was play­ing key­boards for a friend who was lead­ing wor­ship ser­vices. As Bryson explained the young woman start­ed get­ting busy with oth­er projects and asked a friend to fill in for her.

This girl didn’t think she need­ed to prac­tice,” Bryson explained, “and she locks up on stage. So we jok­ing­ly say, ‘Does any­one want to give it a shot?’ And Bart comes run­ning from the side of the stage and grabs the mike. We knew he could sing because he would mess around in sound­check. … Then we did this camp in Switzer­land. And after­ward we both thought how can we do this full-time?”

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